Come Out Of the Cold With After Nyne’s New Music Edit – January Edition

Our first list of 2015 and we’re hitting the ground running. If this is how the year starts, we have very high hopes indeed. Read on..if you like it..tweet your thoughts at @after_nyne

Screen Shot 2015-01-29 at 16.31.55Thea & the Wild  – Heartattack

Despite her young age, Thea Glenton Raknes is already a name in the Norwegian music industry. She has gained experience as a songwriter, lyricist, frontwoman, and now as a producer.

With the project Thea & The Wild, she produces music both bold and brittle, future thinking production with a foot in classic folk and pop. The soundscape is inspired by Thea’s love for the organic, with warm bass, analogue synths and a focus on melodies and rhythm. Glenton’s characteristic vocals serve as a guide through the songs, and it is all elegantly produced by Kenneth Ishak (Beezewax, Heyerdahl), and Thea herself. Ishak also contributes as the only other musician on the album other than Thea.

The success of her record in Norway has led to a UK release for “Strangers And Lovers”, released January 12th on Jansen Plateproduksjon.

Screen Shot 2015-01-29 at 16.36.46Gallows Ghost – Arrows EP

Striking, London six piece, ‘Gallows Ghost’ are intent on carving out a unique musical niche. A blend of electronic, folk and rock, they give their feverishly receptive audiences big chorus hooks, driving bass lines, strings and beats, but despite musical ingenuity akin to that of Florence, Goldfrapp, Massive Attack and London Grammar, the audiences fervour is definitely increased by the tall, flame haired beauty at the front of the stage, Kate Young whose distinctive and haunting vocals soar effortlessly across the bands ambitious tracks.

On their new EP Arrows the band have worked with Bristol producer Chris Goulstone (whose former collaborations include; Geoff Barrows from Portishead, Alison Goldfrapp & Mushroom from Massive Attack) like a mechanic refining a well oiled engine, Chris brings elements of Primal Scream and Maya Jane Coles giving their new material a much harder, faster and darker edge.

Since their inception only 18 months ago they have been cutting their teeth and honing their live shows at various venues and festivals including; Headlining the Bestival Bandstand, playing Bush Hall, Oxjam, Wilderness, Secret Garden Party, Metropolis Studio Sessions and are continuing to play around the UK building a steady and loyal fan base. They will be performing an acoustic set at The Camden Lock Tavern on February 5th and a full live gig for their EP launch at Hoxton Bar & Grill on February 25th.

Screen Shot 2015-01-29 at 16.43.33of Montreal – Bassem Sabry 

“A golden despondency” is how Kevin Barnes translates the meaning behind Aureate Gloom, the title he gave of Montreal’s thirteenth full-length album.

The oxymoron is one Barnes says best describes the overall state of his life and mental outlook while working on the record: first on a writing retreat in New York City, then while demoing tracks in Athens, before finally recording at Sonic Ranch, just across the border from Juarez, Mexico in the Texan desert.

If you’re wondering what exactly would lead Barnes to use this epithet to describe his reality at the time, look no further than the songs themselves.

Lead single “Bassem Sabry” (named for the Egyptian journalist who tragically died in the spring of 2014), is perhaps of Montreal’s most political song to date, with Barnes proclaiming “Every leader is a cellophane punk,” while handclaps and danceable drums incite the listener to follow his command: “If you hear me, say ‘Yeah!’ ‘Yeah!’ ‘Yeah!’

Aureate Gloom drops March 2nd on Polyvinyl.

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NVRS LVRS – City Lights 

San Francisco 6-piece NRVS LVRS began their journey at the beginning of 2014 when a collection of songs, written initially for the purpose of musical experimentation, found themselves at the centre of a newly forming band.

The resulting group was driven by the desire of Andrew Gomez and girlfriend Bevin Lee to link their creative muses and express their thoughts and feelings on their rapidly-changing city.

Circuit bent bleeps, grimy drum loops, buzzy toys, humming synths, processed handclaps, and failing 80’s keyboards are all creatively edited together with the flesh and blood sounds of guitar, bass, & drums in this album – an album that presents a band ready to explore the fading art of political music.

Their debut LP ‘The Golden West’ is out March 16th on Hz Castle Records

Screen Shot 2015-01-29 at 16.52.54Satellite Stories – Heartbeat 

Praised by the likes of 6Music, XFM, NME and Q Magazine, Scandinavian 4 piece Satellite Stories are set to release their second single Heartbeat off the forthcoming album Vagabonds.


Between their heavy list of Festival and live appearances in 2014 the band decamped to the UK to record their third album in the Kentish countryside with producer Simon “Barny” Barnicott (Arctic Monkeys, Temper Trap, Kasabian and Bombay Bicycle Club).


Vegabonds takes inspiration from the relentless touring the guys have undertaken since their indie breakthrough. Living like drifters and writing songs, “We became Vagabonds going from pillar to post with no real fixed address” Says lead guitarist Marko Heikkinen


The release of the first single from Vagabonds, The Trap saw the lads streaming numbers accumulate into the millions with the single hitting over 100k in the first 5 days alone.


This new release sees Satellite Stories bigger and better than ever!  UK fans can catch them at Londons Barfly venue on March 9th.

As always, tweet your thoughts on our latest list at @after_nyne 

There and Then Gone……Daniel David Gothard’s Journey Through Linklater’s Landscapes

Screen Shot 2015-01-29 at 15.09.26I haven’t seen the film Boyhood yet, but I know I’m going to love it – a film shot across 12 years; a complete story of a child growing up, through the travails of this life, into a young man.

I know I will love it because I trust the filmmaker – Richard Linklater – and I love his careful rendering of time and its importance in cinema.

Linklater has made some ‘Hollywood’ films, such as School of Rock, but he has worked long and hard to provide his fans with some beautifully drawn out stories – much in the same way that David Simon has talked about the five seasons of The Wire forming a ‘novel on television’.

I have watched thousands of films and people often ask me the old question, ‘What’s your favourite?’ It’s virtually impossible to give a single title answer – genre, mood, story, memories – so many factors play into any favouritism. But if I was pushed to give a top ten list, Richard Linklater’s ‘Before …’ trilogy would be in there. I saw Before Sunrise when it was released in 1995. I was in Paris at the time and a similar age to the film’s stars – Julie Delpy and Ethan Hawke. I was spending my time walking and talking in a foreign, European capital and so were they (Jesse and Celine).

I connected with the romance of the story, the two wide-eyed characters, falling in love in one day. It is an inspired film, a moment of undiluted amour captured.

When they returned years later in the second film, Before Sunset (set in Paris) I couldn’t wait to see how the story would continue and culminate. Linklater handled the passage of time and its ramifications perfectly – the picking up where they left off, Jesse’s sour marriage back in the USA and his idealised version of how he could live and Celine’s silent desperation to be honest about the intensity of her love and loneliness.Screen Shot 2015-01-29 at 15.06.43

I didn’t expect a third film and when I heard that Before Midnight was being made I had my reservations. I was looking forward to seeing Jesse and Celine again, but I wondered if there was anything more for them to say. Linklater must have guessed that might be on the minds of ‘Before fans’.

He was courageous enough – as were his co-writers Delpy and Hawke – to show Jesse and Celine in middle-age, with children, years later, trying to move forward and yet rediscover their original romance in the midst of the everyday chores and disappointments.

The result was the least romantic of the trilogy but, possibly, the most honest. I am equally divided between wanting another Before film in a few years and wanting to leave them on the quayside in the moonlight.

I am 46 years old now, and like Jesse and Celine I have children (a girl and two boys) and the responsibilities of the everyday. But I’m still a sucker for the sort of honest romance Linklater’s films provide and his unblinking view of the way we use our time on this planet. My eldest son will be ten years old in March and it seems only a short time ago since we brought him home from the hospital.

I can’t wait to see Boyhood.


Daniel’s latest book Friendship and Afterwards is available as a Kindle download here 

Vivienne Westwood: Cut From the Past at Danson House, Bexleyheath, April 1st – October 31st

Screen Shot 2015-01-29 at 14.12.49The 18th century is the high point of art and culture”
Dame Vivienne Westwood

The impact of 18th century art and design on the work of distinguished British fashion designer Vivienne Westwood is celebrated in a new exhibition at Danson House this spring. Vivienne Westwood: Cut from the Past brings together for the first time a number of her ground-breaking designs, and explores the collections that proved to be her turning point both critically and commercially. The exhibition runs at Danson House, Bexleyheath from 1 April – 31 October 2015.

The impact of 18th century art and design on the work of distinguished British fashion designer Vivienne Westwood is celebrated in a new exhibition at Danson House this spring. Vivienne Westwood: Cut from the Past brings together for the first time a number of her ground-breaking designs, and explores the collections that proved to be her turning point both critically and commercially. The exhibition runs at Danson House, Bexleyheath from 1 April – 31 October 2015.

Danson House, a splendidly restored Georgian villa, provides a tailor-made backdrop to the exhibition which highlights Westwood’s seminal work of the 1990s which was influenced by the 18th century. Designs and outfits on show make particular reference to the Rococo paintings of French artists Watteau and Boucher.

Westwood’s passion for 18th century design is also reflected in some earlier pieces from the ‘Cut, Slash and Pull’ and ‘Mini Crini’ collections, and the Malcom McLaren and Vivienne Westwood ‘Seditionaries’ Collection.

The exhibition brings together loans from the Victoria & Albert Museum and private collections. Caroline Worthington, Chief Executive, Bexley Heritage Trust  said,  “We are delighted to be working together with the Victoria & Albert Museum for the first time to bring cutting edge design back to Danson House for the 2015 season – just as the original owners, the Boyd family, did in the 18th century.” 

Bexley Heritage Trust manages Danson House, a beautifully restored Georgian villa where sumptuous interiors tell the story of a country house built for entertainment.

Danson House, Danson Park, Danson Road, Bexleyheath, Kent, DA6 8HL, UK
Tel: 020 8303 6699

Opening times:
Danson House is open Sunday to Friday from 1 April – 31 October.
Opening hours are 12pm – 5pm.

Admission: Adults £8, concessions £6, under 16s free (no unaccompanied children).

Gift Aided tickets are valid for unlimited repeat visits within a 12 month period.
English Heritage and National Trust members receive half price admission (not valid for groups). Admission is free with a National Art Pass.

After Nyne HQ Launch Kickstarter Campaign: After Nyne Magazine Needs YOU

Screen Shot 2015-01-29 at 11.14.40Let me first start by thanking you for your ongoing support. Each one of our readers has played such an important role in getting us to where we are today.

Without your ongoing support After Nyne would have never evolved; and it is with this in mind that we are ready to start tackling some new hurdles to progress our brand.

Today (29/01/15) see’s us launching our new Kickstarter campaign. The aim is to raise money which will be used to fund a new online platform, marketing & design co-ordination for our quarterly magazine.

At After Nyne, we believe in giving opportunities for the talent of tomorrow; having a new website where readers can access the magazine, marketing & design co-ordination will ensure our contributors get the attention they truly deserve, as well as giving you the quality product you’d expect from us.

You can check out the campaign here:

We would be so grateful for any contributions made, big or small – and there are some awesome rewards up for grabs too!

From everyone here at After Nyne – thank you.

Kindest Regards,

Claire Meadows


After Nyne Magazine

‘You Don’t Need All the Answers to Create Something Beautiful': After Nyne Meets…..Helen Duff

Screen Shot 2015-01-28 at 15.49.25Helen Duff’s show  ‘Vanity Bites Back,’ an anarchic comedy about anorexia, attention seeking and finding the freedom to bite back at the stigma surrounding mental illness,  comes to Vault Festival (Waterloo) on the 28th January – 1st February.

Duff’s charming voice of experience guides her audience through moments of hysterical revelation and shocking poignancy – encouraging them to laugh at their own anxieties. Vanity Bites Back promises to leave audiences hungry for more.

As part of our After Nyne @ The Vault Festival coverage, we met Helen to talk about the show, the root of her illness and why she thinks laughter is the best medicine. 

Helen, tell us in a nutshell what to expect from Vanity Bites Back.

Well, it’s been dubbed a clown cookery show about anorexia, but that’s really just a way to wet your appetite. It’s an explosion of thoughts, feelings and digestive biscuits, all inspired by my love for clowning and my interest in opening up a wider conversation about mental health.

Take us back in time a little. When did anorexia start to play a part in your life? 

Hmmm, play a part, that makes anorexia sound like a fun finger puppet! Outwardly, I was most ill while studying my A levels, but inwardly I struggled with the thoughts and feelings that characterise anorexia for a long time after that. Which one of the things that drove me to make the show.

I wanted to explore the belief that “I’ll never be good enough unless I achieve X, Y and Z, and if I can’t do that, at least I haven’t eaten A, B or C” – a thought process that can become all consuming. Feeling as if you have to earn the right to exist, or atone for being human, has a detrimental impact on your state of mind, not to mention your physical well being.

Thinking particularly in terms of information available to you at the time, was it easy to feel isolated by your illness? 

I wanted to be “rescued” from my controlling thoughts for over 7 years before finally seeking private treatment.  I knew that my quality of life was being severely restricted – spontaneity and self belief always felt like occasional treats rather than something I could appreciate every day.  Anorexia has an extremely powerful hold – my self worth had become so low that the illness was a safety blanket. It set me clear boundaries and allowed me a mental check list of ways in which I’d either succeeded or failed during each day.

That sounds like a staight jacket, but I think a lot of people seek structure and rules to feel secure. Getting treatment in England is a mine field, because NHS resources are incredibly stretched and waiting lists are over a year and a half long. That’s created a horrific situation where people feel the need to qualify for treatment – losing weight until they become critically ill. Charities like B-eat (who I made the show at Edinburgh in association with) do amazing and essential work to raise awareness and funds but more needs to be done to break down the social stigma surrounding eating disorders and recognise that their physical manifestation is only a slice of a very complex story.

At what point did you realise that laughing at the illness was, if you will, the best medicine?

I never make direct jokes about anorexia because I’d hate to undermine other people’s suffering. The cookery show host that I’ve created, Jill, is determined to make her programme work no matter what. The extremity of that drive and the beauty of her idiocy creates a lot of the comedy. I’ve always loved observing interesting details about other people and creating stories in my mind. When I was really ill, I lost all confidence in my ability to communicate those imaginings. Losing my sense of humour scared me more than anything else.

Why are people so afraid to talk about mental illness, in your opinion?

Because it’s really hard to explain. Despite huge amounts of research, there’s no instant cure. People are complicated, mixed up, murky beings and your mental state is totally interlinked with who you are, what you stand for, how people see you. It can be terrifying to put that into words and think “am I giving the right impression of myself? Is that really how I feel?”.

There’s an intense fear of using the wrong words and being pigeon holed or ostracised. So it seems easier to cover up and carry on, rather than risk an unknowable outcome. In theatre we have the luxury of leaving gaps and allowing the audience to draw their own conclusions; to suggest stories rather than spelling them out word for word. Theatre allows you to explore being human on so many different levels.

Having seen it from the inside, what’s your advice to someone struggling to reach out to someone they love who is struggling with anorexia, bulimia or in fact any mental illness?

I would never go so far as to say I’ve made a “perfect” recovery. I think it’s dangerous to deal in absolutes – setting up unhelpful, unattainable  targets, when who you are and how you feel is always shifting. I’m immensely lucky to have reached a point where I feel comfortable to talk about my illness openly. That was key to breaking down its hold over my behaviour.

It was also incredibly frightening. There were a lot of family and friends who assured me that I was loved. Ultimately though, it’s the patience and compassion I’ve been able to show myself that’s made the biggest difference – giving myself permission to think, feel and reveal things that I’d otherwise have punished myself for.

Finally, what would you like your audience to take away from Vanity Bites Back?

A sense that you don’t need to have all the answers to create something beautiful.

All ticket information can be found at


Party Like a Rock Star As Roxx Turns Two At The Cuckoo Club, January 31st

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Last year – GQ named Roxx their favourite pop-up of the year. This January, Roxx continues its world tour, collaborating with one of London’s hottest and most discerning nightclubs, The Cuckoo Club. For their 2nd birthday on Saturday 31st January, Roxx will be the perfect way to send dry January packing for another year, as they for the first time ever, partner up with the London late night institution.

The party will start at 3pm and go on until late, because true rock stars start early. Going all out with the edgiest program so far in Roxx history, the pop-up will feature rock-infused house music, live sax players, beat-boxing harmonica players, naughty nuns, and even a priest. Behind the decks, the skilled DJ’s will smash it out with spontaneous sets of their hottest tracks, all inspired by the spirit of rock.

With Roxx guests can always expect lots of surprises- their last events at the Wellington Club saw special rooms such as the Confession room and also a band room with a camera and all rock-inspired props. In true Ozzy Osbourne style, shots of absinthe alongside real chocolate covered scorpions will be served throughout the night, as well as limitless amounts of Crystal Head vodka, the main sponsor of the event. Screen Shot 2015-01-28 at 13.44.58

As a special birthday treat to kick off the celebrations, members are invited to join the Roxx tour bus, which will be stopping at some of the most iconic rock & roll landmarks, before arriving at The Cuckoo Club in style. Matching the design and style of the venue, the principal music theme of The Cuckoo Club is rock-chic, embracing an alternative rock output juxtaposed with dance floor favourites resulting in tracks by classic bands such as The Rolling Stones to The Stone Roses and contemporary acts like Kasabian all spun alongside rock/dance hybrids – a fusion of musical genres, to match the intended mingling of London’s social sets on the dance floor.

Fashion & Music Royalty showed up to Dance… VOGUE

The Cuckoo is 5000 square feet of super cool super club…GQ

Roxx Club was founded in 2013 by the two good friends, Kamran Dehdashti and Dave Wilson, both from London. Recent Roxx parties have been attended by the iconic rock musician Ronnie Wood, and have popped up in some of London’s coolest venues, such as their series of summer parties on the roof of Sanctum hotel, and last year’s legendary event in Mykonos. With previous experience in global event companies such as Formula 1, Boujis, and successful Notting Hill pop-up, The Little Yellow Door, Kamran and Dave wanted to bring something different to the London club scene, which led to the beginning of Roxx Clubs.

Roxx’s Rolling Stone pop-up parties have earned a reputation as some of the best nights out in London…City AM

The best debaucherous day/night party you will ever attend… until Roxx throw another one… The Nudge

Ticket Link:

Doors open from 3pm – 10pm

The Cuckoo Club
Swallow Street,

Tickets from £12.50

T: 07738 195 996
T & I: Roxxclub1 & Roxxclublondon

PAUL Launch Loved-Up Fraisier St Valentin for a Limited Time Only, Feb 12th-15th

IMG_0326In celebration of Valentine’s Day, the expert pâtissiers at PAUL, the fifth generation of family-run French artisan bakeries, pâtisseries and cafés, have created a deliciously loved-up Fraisier St Valentin.  The ideal sharing size for two, the delectable heart-shaped treat combines light Genoese sponge, crème mousseline and fresh strawberries, topped with decadent pale pink marzipan, sure to leave you smitten and wanting more.

Priced at £11.95, the carefully crafted delight will be available in all PAUL shops from Thursday 12th to Sunday 15th February and can be ordered online* for collection and delivery in London from Friday 30th January.

Smaller yet equally delicious indulgences come in the romantic form of an exclusive chocolate and raspberry ‘You & Me’ macaron or éclair duo, priced at £6.95 for each pair, decorated with edible chocolate.  Each item can be purchased individually at £3.50.

For all PAUL stockists visit